Each petal of this rose
Has a tale to tell—
Each as different as those related
By eye witnesses of to scene or a life.
There will be stories of youth
Breaking from within the greened womb
And the fading and weight of age;
Legends of the buffetings of fate,
Of visitors from afar, of marauders
Seeking the rose’s treasures
And sharing their own stories
Of hunger, danger and duty,
Each leaving behind
In the wreckage they had wrought
Grains of dust from far off places
Which carved imprints of their histories
In the flower’s hidden, vulnerable places.
The rose will surely describe
Hot days thick with heady perfume
Cool nights when fragrance,
Merely teased the air,
Odes of glory, elegies of woe,
(perhaps an idyll of dreams?)
But strongest of all
The lyric joy of life.
If only we could hear
The separate voices
Or read the messages
Inscribed on these petals,
We might finally know why
This rose came to be lying here,
Abandoned and alone,
On the cooling wetness of sand
As the late afternoon tide rolls in.
SUBMISSION GUIDELINES
Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.
Guidelines for submission:
SPLINTERS FOR JUNE 2022
THE SAGA OF A ROSE
Each petal of this rose
Has a tale to tell—
Each as different as those related
By eye witnesses of to scene or a life.
There will be stories of youth
Breaking from within the greened womb
And the fading and weight of age;
Legends of the buffetings of fate,
Of visitors from afar, of marauders
Seeking the rose’s treasures
And sharing their own stories
Of hunger, danger and duty,
Each leaving behind
In the wreckage they had wrought
Grains of dust from far off places
Which carved imprints of their histories
In the flower’s hidden, vulnerable places.
The rose will surely describe
Hot days thick with heady perfume
Cool nights when fragrance,
Merely teased the air,
Odes of glory, elegies of woe,
(perhaps an idyll of dreams?)
But strongest of all
The lyric joy of life.
If only we could hear
The separate voices
Or read the messages
Inscribed on these petals,
We might finally know why
This rose came to be lying here,
Abandoned and alone,
On the cooling wetness of sand
As the late afternoon tide rolls in.
AUTHOR NOTES
GLASS RAIN—the poetry by Margaret Roxby
“YOUR NAME REMEMBERED” was first published 1970 in POET, American Parnassians. It is included this week for Best Friend Day, June 8.
REFRACTIONS— a memoir poem by Robert Roxby
“Sea Scape” appears this week for June 8, World Ocean Day. The poem first appeared in the author’s collection poems, Reflections on a Lifetime.
THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby
“THE SAGA OF A ROSE” was inspired by a photograph. It appears this week for Red Rose Day, June 12.
SUBMISSION GUIDELINES
Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.
Guidelines for submission:
YOUR NAME REMEMBERED
When melancholy,
That ancient shadowed sorrow,
Wanders the mind’s corridors,
Darkness rings the world of memory
Until through the haunted hours,
Shines a sudden song,
Glint of golden tambourines:
Your name remembered,
Surprise of lost laughter becoming light.
SPLINTERS FOR JUNE 2022
SEASCAPE
Gray seas break against the land
And granite cliffs crumble into sand
The beach leads into endless space
As the sun paints the sky into the night
The tranquility of the silence
Smooths the wrinkles in my mind
If No Trace Is Left
If I no longer see your
face, your sister’s face,
Your cousins’ face…
If all your family
Is gone from this
Place… If I no longer see your family
Name in a window,
On the
Placard above a store
Or on a corner street sign;
Nor in a list of addresses
Or phones
For this place…
If all of these things
Were true, perhaps
I might forget, or
Be able to let the memory
Be dormant,
Silent. Perhaps I
Might then not know
with every breath
your great, great, great
grandfather killed mine
and more, sent us
Into the night
without home, without food
without aid for
the sick, wounded, dying
With no trace
Of you or yours –
It might just be possible then –
And the words
‘hope’, even ‘peace’
might be some
Thing other than myth.
If your green valleys
And wheaten plateaus
Should wither
Like the parched
Wastelands of my found home…
If your rivers should
Hide too deep for you to find
In chiseled wells…
If in that place you should
In a season,
Lose home
Farm, town and roads
Till your hundreds
Or thousands
Are isolated, sickening
Without food, or
Buried beneath
Hills melted into mud…
If your factory furnaces
Have no fuel, your homes
No shade,
The money
You earned yesterday
Cannot buy one thing small
Today…
If you live too far
From the nearest medical aid,
Or where the doctors
And medicine are never enough
For the need…
If you wake hungry,
Work hungry and lie down
Hungry every night…
Perhaps if all this is true,
Perhaps then I will no longer
Hate you, hate you,
Hate you.
THE HEALING ART
It’s best to let the past depart;
Why harbor such remembering:
What made the wound, who broke the heart.
It’s best to let the past depart;
Why hold we fast the fiery dart
That keeps the pain still embering?
It’s best to let the past depart;
Why harbor such remembering.
It’s best to let the past depart
And search each day for the bright new songs
To mend the wound, restore the heart.
It’s best to let the past depart;
Let new horizons’ healing art
Erase the ache of the unearned wrongs.
It’s best to let the past depart
And meet each day with brave new songs.