Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.

Guidelines for submission:

  1. List Splintered Glass prompt which inspired the work in the text of your email.
  2. Submit material to be published as Microsoft Word document. Submission should not be longer than one page. Editing will not be provided, please be careful.
  3. Include two brief sentences about the author. Example: Michael Whozits is the author of A Book and The Curl, a blog. He is a retired pilot and avid surfer.
  4. Submission must arrive no later than the 3rd Wednesday of the month in which the Splintered Glass prompt appeared. Only one reader’s submission will be selected for any given month.
  5. Send submission to karoxby@gmail.com.
  1. What are your memories of the start of the school year?
    1. Write from the view of a child or adult, or combine the two.
    2. Did you also play truant like the poem from Robert Roxby? Share that experience and how it impacted (or not) your later life.
  2. Use a childhood game as the inspiration for your poem.
    1. Use the game as an allegory or metaphor or re-write the rules.
    2. For examples, see Margaret Roxby’s “How the Rope Turns Matters Much” or Kathleen Roxby’s “GAMES OF EITHER/OR”.
    3. Or simply tell your experience of game(s) you played as a child.
  3. When does Summer end? Is it a spirit or merely a season of the year? See Margaret Roxby’s “Summer Lives.”

It is high noon and the child dances

Amid the beauty of the day:

Flowers glow, trees shimmer.

The air is charmed by her child-song,

Light and sweet.

 

It is high noon and the child dances,

Forgetful of the now invisible,

But waiting, shadow,

That even at noon

Touches her joy with the dew

Of remembered and future sorrow.

 

It is high noon and the child dances—

Joyous laughter spills

Into the brief sun-bright hour

As she twirls,

Breathing in the wonder of life

While the sky wraps round her

All of its mystery.

 

It is high noon and the child dances.

 

#SummerPoetry #PoetryandChildhood #Dancing

Brightly colored spinning tops

Daylong laughter and lollipops

Kite-high unanchored hopes

Scattered jacks and jumping ropes

 

Tangled town and touchstone

Bed and board and telephone

Battered heart and buttered bread

Folly, fear, and fountainhead

 

Tabletop tears or winner’s boast

Echoes drowning in tea and toast

Kaleidoscope and covenant

Mystic moment and monument

 

Run, fox, run geese! Run sheep, run!

Hear cry BARBAREE and the game is done.

 

#ChildhoodGames #Games #ChildhoodMemories

 

 

refractions

August is the time of summer heat

Of air-conditioners and cooling drinks

Swimming in the nearest pool

Or sitting under running sprinklers

Dreaming of snow-capped mountains

Eating ice cream and frozen ice cones

Doing nothing, moving not one muscle

Waiting for September to arrive

With gold harvest and hard work.

 

August, get on with you, hurry now.

I am melting away to nothing.

Ahhh! A lovely refreshing shower

Comes to wash away the heat.

 

#SummerPoetry

GLASS RAIN—the poetry by Margaret Roxby

“DISTANCE RUN” was first published in 1973. Interspersed in this poem are childhood toys and games. The poem was inspired by a workshop held by a local chapter of the California Federation of Chapparal Poets. The “cry Barbaree” game was one the author did not really know but imagined from hearing the call sounded in the night and the running of feet, perhaps laughter, long after she had to be indoors. This was before child labor laws, so the players may have had no daytime hours for play. Margaret was sure they were all boys and the game rather like the current game of parkour with the children running and leaping across rooftops. Being a tomboy, she dreamed of joining in the game when she was older, but she never found anyone who would tell her about the game. It is also highly probable these runners were actually involved in bootlegging and “barbaree” a code word.

REFRACTIONS—a poem by Robert Roxby

“AUGUST” first appeared in the author’s anthology Reflections on a Lifetime, 2000.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“HIGH NOON” first appeared in the chapbook Chameleon Woman, 2000. The author was thinking about a black and white picture which showed her playing in her backyard. She remembered dancing there in the sunshine while playing alone when she had no playmate.

 

 

 

 

When I was twelve, I finally risked my mother’s wrath as I sneaked into her bedroom to read books she had forbidden me to touch.

Up until then my grandmother had lived with us. With my grandmother in the house, it was very difficult to get some alone time. She was always bustling about and would open any closed door with just a brief one-rap knock before entering.

Also, I was old enough that my mother trusted me to be alone in the house while she ran errands. This gave me a reasonable length of time to read. I would be able to hear her unlocking the door on her return and have plenty of time to put the book back and get out of her room.

The books had always been there, sitting on a small three-shelf bookcase in the alcove at the far end of the bedroom. I remember being told, “Don’t touch” before I was even able to read. At first when I did not read, they were only a curiosity and not particularly interesting. But as I learned, I wondered why I could not t read those books in my mother’s room.

If I had been a different sort of child, I might have risked exploration earlier. However, I really did not want to face my mother’s anger. It is not as though I would have been spanked, although there were a few times when that did happened. It was her words. She could make you feel just awful, almost like you had a bad case of the flu. My stomach would get all twisted and it was like I’d swallowed something indigestible. Hard and heavy, it sat in my stomach for the longest time.

So, the books had been safe for ten years. When, at last I dared to touch them, I first washed my hands thoroughly. I did not want to leave any tell-tale marks. Near the bookcase was a small stool with tip-out steps that changed it into a stepladder. I used the second step as my reading seat.

I scanned the shelves and found two books I recognized. They were books of poetry from which my mother had read to me at bedtime when I was little, An Anthology of World Poetry and Poet’s Gold.

That was kind of disappointing. Why would those be forbidden? Maybe she just did not have anywhere else to put them. I looked further.

One book was really old, so old that the writing on the cover was hard to read. I pulled it from the shelf. It wasn’t stiff like most books. It spilled from my hand like bread dough. I laid it on my lap and carefully opened it. The pages were tissue thin, very easy to tear. There were two columns of print. It was a book of plays. I carefully turned to the title page: The Complete Works of William Shakespeare.

Hmm. Odd that my mother would forbid this, too, unless Shakespeare really was something I should not be reading yet. We had watched a Shakespeare play on television. Maybe it was just the delicate pages that made her hide this book away. I decided she was wise about that. I probably would tear them, even if it was only by accident

What was next? Another old book. It, too, had a soft cover, but the writing was clear. Stories by Guy de Maupassant. Who? The pages of this book were sturdier, though still rather thin. Inside were several stories. This was good. I could probably get a whole story read while my mother was at the grocery store.

I put it back to look at the next on the shelf: The Plays of Henrik Ibsen. This was a fat book with stiff covers and good, strong paper. I might start with this one.

But first I checked out the rest of the treasures. World Book of Knowledge (several volumes), Book of Wisdom, Light of Asia, Rubyat of Omar Khahyam, The Humor of Robert Benchley, and so on till I got to the bottom shelf where I found Colliers Encyclopedia. Huh. I checked it out. Tissue paper pages, again. Must be why she hid it here.

After my first exploration, I returned again and again, always in secret. Eventually I was caught.

I had been careless. A small peanut butter finger smudge smeared itself onto a page of Ibsen.

“Have you been reading this book?” my mother asked as she held out the collection of Ibsen’s plays.

At first, I was going to deny it.

“There’s a grease mark on this page.” She pointed to it. “It looks like peanut butter. Did you do this?”

What would happen if I admitted my guilt? I was reading the forbidden books. If that was not bad enough, I had damaged one.

“It’s all right to read the book, although I think you are a little young for some of this. But if you are going to read it, you need to treat the book with respect. It isn’t like some throw-away comic book. This was an expensive book. All the books in my room were expensive and they are all important to me. I want them to be kept clean and handled carefully. The next time you want to read from my library, ask me. Is that clear?”

I answered “Yes” and she returned the book to her room.

What a surprise. I thought I’d be in a lot more trouble. The books were not forbidden after all. There was one play of Ibsen’s my mother wanted me to skip (Ghosts), but I had already read it. After that, I read anything I wanted.

But I still cherish the memory and thrill of crouching in secret beside that small bookcase, ears straining to hear any sound, as I read those wonderfully strong stories and plays in the days before the ban was lifted.

 

#Books #PersonalLibraries #ForbiddenBooks #ReadingandDiscovery

 

Summer glows

in the produce aisle

where oranges,

ripe with sun,

pile warm days

on happy laughter

 

They roll,

solid and plump,

into your hands

 

You breathe

in the piquancy

of memory

 

Ah, summer:

Ripe, sweet

And juicy

 

#SummerPoetry #PoemsandColor

 

I know these massive cliffs

and sudden end of land

where water-green swells of ocean light

break roaring splendor

on the silent sands

 

I know the wonder

the awe

the wildness of the edge

and how the rocks strain forward

stare out like foxes toward the sea

their stone ferocity forever leashed

in immobility

 

 

#SeaCoastPoetry #NaturePoetry

 

refractions

It was summer, an August afternoon. Far behind me lay the hot-coal sand I crossed bare-soled to the fire-banked concrete rising to the relative cool of the pier ship-timbered and mica-frosted with fish scale.

Behind me too, the turbine hum and wet-street slish of waves at the bikini-benched shore. Voices of swimmers far up-shore were heard only as the muted bird-waking sounds of morning that voices imitate when distant and sifted by irresolute air. Nearer and more present were the voices of fishermen: raucous deep-throated men, raven voiced women and screeching eaglet children.

But even these were filtered through the sea-soft air to be lost, if you wished it so, along with the smells of bait—live in rank water, the dying caught fish, the sweats, stale coffee, warm beer and deep fat fry of the snack bar squatting mid-pier. Lost to the soft still song of a sea light day, lost in the taste of salt air—clean, untamed, long traveled—sweet and sour with the tang of yin and yang.

At the end of the long pier, I leaned outward—like a ship’s figurehead—to catch the sweep of sky as my eyes witnessed grays melting into blue. The still of the horizon wrapped separateness around me. Within the hush of this sea spun cocoon, I knew only the creak of the seagull’s cry echoed by the wharf beneath my feet, the caress of sea-kissed air, and the lapping lullaby of quiet tide.

The westward sun diamonded in a thousand liquid mirrors—a laserium impressionist painting—floating, tilting, shimmering…

 

#Summer #BeachMemories #BeachandImpressionism