1. Is there a bit of Irish in your family tree, or does the word “Irish” just spark images in your mind?
    1. Share your heritage with a family story.
    2. Are you a fan of fairies and “wee folk”, why? Spin a fanciful tale where they might appear.
  2. Is there a woman that you admire, living or not, famous or not?
    1. Write an elegy for her.
    2. Do you wish you were a woman to admire? Write a letter to your current self from that future woman.
  3. School reunions, fun or sad?
    1. What would you hope to see, experience at your next (or first) reunion?
    2. What would you write about in your journal after the reunion is over?
    3. Inspired by Kathleen Roxby’s poem to write your own portrait of a classmate? Give it a try.

 

Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.

Guidelines for submission:

  1. List Splintered Glass prompt which inspired the work in the text of your email.
  2. Submit material to be published as Microsoft Word document. Submission should not be longer than one page. Editing will not be provided, please be careful.
  3. Include two brief sentences about the author. Example: Michael Whozits is the author of A Book and The Curl, a blog. He is a retired pilot and avid surfer.
  4. Submission must arrive no later than the 3rd Wednesday of the month in which the Splintered Glass prompt appeared. Only one reader’s submission will be selected for any given month.
  5. Send submission to karoxby@gmail.com.

She was there

the girl who had shouted

her feminine appeal

in jangles, lipstick and perms

while the rest of us

lived in a world of tetherball,

foursquare and hopscotch.

She entered alone,

in elegant simplicity,

and there held thrall

for just a moment

before melting into the party crowd.

Yet, in that instant

she told us all

with her presence only—

I am a Woman now,

I need no male beside me

(such easily acquired evidence)

to prove my femininity.

I AM.

Then, as a quiet, gracious queen,

she glided toward her audience.

 

#Feminism #SchoolReunionPoetry

“My home, where is it?”

Pavlova asked

“Everywhere, everywhere

They welcome me.

And so she danced across the wide world

Leaving behind in the hearts

Of her audience

Memories and dreams.

Butterfly

Borderless, unbounded, dancing, dancing

Across the continents

As the years rolled by.

 

Suddenly, the music ended….

She was fifty

Breathless now, borderless still,

She crossed that other continent

Into New Dimension.

 

I like to think she dances there.

 

#AnnaPavlova #Dancing #RussianCulture #WomenInHistory

 

 

Do you remember the days when you were learning the alphabet? Perhaps your experience is like mine. When my schoolmates and I had barely mastered the oh-too-familiar alphabet song, we faced the test of recognizing the letters in words. That’s when the problem with consonants arose.

Vowels were easy. If you could make the sound without your teeth, tongue or by squeezing your lips, you had a vowel. Everything else should have been a consonant.

This is when we learned that W and Y could behave any old way they liked. At first I thought our teacher was just playing a joke on us. But no, she was serious. None of my classmates thought this waywardness was something we should have to learn or accept. Couldn’t those letters be forced to behave?

I developed my own almost fool-proof formula. I decided if a W or Y began a word, they were consonants. If they appeared anywhere else in a word, they were vowels. For example, W in window performs as a consonant at the start, and vowel at the end. The same can be said for Y in yummy.

Problem solved. But, oh no, next came the problem of the sounds they made when masquerading as vowels. Y could pretend to be a long I as in psyche,  a short I as in gym, or a long E as in silly. W wandered all over the place from uh, to oo to oh to ah. It just wasn’t fair!

Did you breeze through this phase in your learning, or are you like me—still harboring a resentment toward those recalcitrant letters W and Y? Be honest. I bet you are.

 

#EnglishLanguage #Consonants

GLASS RAIN—the poetry by Margaret Roxby

“BUTTERFLY FLOWN” was written after the poet heard a reading focused on Pavlova. The poet’s daughter remembers her mother talking about the impact of Pavlova, almost as if her mother had seen the dancer perform in person. This poem was found among the poet’s papers, dated 1992. She had submitted it for review to her Round Robin team, a group of fellow poets. They had suggestions for editing. There is no evidence the poet ever rewrote the poem.

KALEIDOSCOPE—a series by Kathleen Roxby

“THE CONSONANT CONUMDRUM”. This piece reflects the author’s childhood learning experience.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“AS IN ROYAL ELEGANCE” was written after the author attended her ten-year high school reunion and is part of a series.

 

  1. Is there a bit of Irish in your family tree, or does the word “Irish” just spark images in your mind?
    1. Share your heritage with a family story.
    2. Are you a fan of fairies and “wee folk”, why? Spin a fanciful tale where they might appear.
  2. Is there a woman that you admire, living or not, famous or not?
    1. Write an elegy for her.
    2. Do you wish you were a woman to admire? Write a letter to your current self from that future woman.
  3. School reunions, fun or sad?
    1. What would you hope to see, experience at your next (or first) reunion?
    2. What would you write about in your journal after the reunion is over?
    3. Inspired by Kathleen Roxby’s poem to write your own portrait of a classmate? Give it a try.

 

Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.

Guidelines for submission:

  1. List Splintered Glass prompt which inspired the work in the text of your email.
  2. Submit material to be published as Microsoft Word document. Submission should not be longer than one page. Editing will not be provided, please be careful.
  3. Include two brief sentences about the author. Example: Michael Whozits is the author of A Book and The Curl, a blog. He is a retired pilot and avid surfer.
  4. Submission must arrive no later than the 3rd Wednesday of the month in which the Splintered Glass prompt appeared. Only one reader’s submission will be selected for any given month.
  5. Send submission to karoxby@gmail.com.

(translation in parentheses)

Las abuelitas caminan.

(The grandmothers walk)

Cada jueves,

(Each Thursday)

Las abuelitas caminan

En la plaza—

       (In the square—)

Cada jueves

En la plaza.

 

Y las madres,

       (And the mothers)

Las madres también,

(The mothers also,)

Sí, las madres caminan

(Yes, the mothers walk)

En la plaza

Cada jueves

En la plaza.

 

?Y por qué?

         (And why?)

?Por qué ellas caminan0

(Why do they walk)

En la plaza?

0

?Por qué caminan cada jueves?

? Por qué?

 

Por los ninos…

(For the children…)

Por sus hijos, sus nietos—

(For their children, their grandchildren—)

Por todos los desaparecidos.

(For all those who disappeared).

 

#Desaparecidos #ArgentinaHistory

 

A Tribute to Helen Keller and Annie Sullivan

In the dark, quiet hours of night,

I thought of you, Helen:

how locked in lightless soundless

prisons

your energies fought their futile wars

until Annie came

and the guided flow of fingers over hand

wrought the wonder-spell of water streaming.

 

Lighted by Annie’s beacon

your yearning spirit, that indefinable force

brighter than hope

began the splendid voyages of discovery,

freed at last

by the wonder spell.

 

#WomenInHistory #HelenKeller #Braille