Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.

Guidelines for submission:

  1. List Splintered Glass prompt which inspired the work in the text of your email.
  2. Submit material to be published as Microsoft Word document. Submission should not be longer than one page. Editing will not be provided, please be careful.
  3. Include two brief sentences about the author. Example: Michael Whozits is the author of A Book and The Curl, a blog. He is a retired pilot and avid surfer.
  4. Submission must arrive no later than the 3rd Wednesday of the month in which the Splintered Glass prompt appeared. Only one reader’s submission will be selected for any given month.
  5. Send submission to karoxby@gmail.com.

 

  1. November presents us with more than one day for remembering.
    1. Begins with a remembrance of the dead (All Souls’ Day) and ends with Day of Mourning (for workers injured/killed on the job). Have you any thoughts to share?
    2. Late in the month Thanksgiving challenges us to think good thoughts. What are you grateful for?
    3. What do you feel about how television reminds of anniversaries of events, usually tragedies?
    4. Finally, we are asked to think of Native American Heritage. Do you have any connections with this lineage? How do you think we can best celebrate this topic?
  2. Day for Tolerance and Unfriend Day both occur this month.
    1. Any comments on this coincidence?
    2. Have you ever unfriended anyone? How did that go? What were your reasons?
    3. How do you define tolerance? How important do you think it is?
  3. World Unique Talent Day offers us an upbeat topic to consider. Can you share with us/the world a tale that reveals what you consider an example of a unique talent?

By what measures do you abide?

Is one person greater than another?

Is the person you despise lesser

Than that person you admire so very much?

What determines the value of your measures?

Is your measure more valuable than mine or his?

Does it make you a better person than I

Because your ancestors were lords of the land

While mine were only servants to those lords?

If you find fault with someone’s mistakes,

Is it because of your own secret sins?

Where is it written that you should judge?

Who determined which should judge others?

Are you so really sure of what you say?

How then, justify your constant failure

To forgive someone else’s misdeeds

While you rush to countenance your own?

Again, I ask, what measure do you use?

Is it really so correct and true

That it brooks no other way to measure worth?

Why is your measure so absolutely true

And mine as full of fault as you often infer?

What would you say if told that my measures

Were the only true ones that exist?

They really are, you know.

 

 

Long had he walked

The silent way

Wrapped in thoughts

Too delicate to lay

Before the horde

 

To let them cry

With derision

And mocking tones

Casting curses

And verbal stones

As they did at his humble head

 

He could afford

To lie

In peace

With an eradicable smile

On a face

That never knew the vile

Distorting dread

Stalking their own sad mile

 

They met at the cliff’s edge

Where she was still frozen

On a ledge just below the rim.

She had arrived there, breathless,

From a tortuous climb out of the terror below

With only the strength to stand leaning

Into the cliff wall waiting for the courage

To take that one last step into the future above.

 

He sat down, dangling his legs

Into the open air of the chasm.

Had he come to end her loneliness

To provide the support

For that last surge up over the rim?

 

For a while it seemed so.

He did not rush her,

Simply kept her company

Cheering her with his humor

And friendship.

Then when she was almost ready

To take the chance, trust him

To be there to catch her

As she made the frightening leap

Into the openness above the cliff edge,

He looked down.

 

His eyes in that downward glance

Revealed his hunger to know,

To battle the beasts in the darkness below.

He was there to make the journey down.

He hoped she would go with him

As she had been there and survived.

 

But she dared not return to the depths.

She might not return a second time.

This he could not see

Through his own desperate need and pain.

 

There they said their goodbye.

She turned away toward the future

Waiting above the cliff edge.

 

He stepped down to the ledge

She had just left, turning

To let her know

He would never forgive her

For leaving him to face it alone.

GLASS RAIN—the poetry by Margaret Roxby

“THE FOOL” is included this week for November 16, UN International Day for Tolerance. This poem was found among the poet’s papers.

REFRACTIONS—the poetry by Robert Roxby

“JUDGMENT” is included this week for November 16, UN International Day for Tolerance. The poem was found among the poet’s papers.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“THE SORROW OF A CLIFF EDGE” is included this week for November 17, National Unfriend Day. This poem describes what could have been a love affair once, but one partner could not face again the hell she had finally escaped. Worse, he would not have understood if she tried to explain because she had hidden her struggle so well. Even with her story, he would not forgive her as he had planned on her support. For any who read this and worry about him, he did find a fine girl to carry him through and onward.

Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.

Guidelines for submission:

  1. List Splintered Glass prompt which inspired the work in the text of your email.
  2. Submit material to be published as Microsoft Word document. Submission should not be longer than one page. Editing will not be provided, please be careful.
  3. Include two brief sentences about the author. Example: Michael Whozits is the author of A Book and The Curl, a blog. He is a retired pilot and avid surfer.
  4. Submission must arrive no later than the 3rd Wednesday of the month in which the Splintered Glass prompt appeared. Only one reader’s submission will be selected for any given month.
  5. Send submission to karoxby@gmail.com.

 

  1. November presents us with more than one day for remembering.
    1. Begins with a remembrance of the dead (All Souls’ Day) and ends with Day of Mourning (for workers injured/killed on the job). Have you any thoughts to share?
    2. Late in the month Thanksgiving challenges us to think good thoughts. What are you grateful for?
    3. What do you feel about how television reminds of anniversaries of events, usually tragedies?
    4. Finally, we are asked to think of Native American Heritage. Do you have any connections with this lineage? How do you think we can best celebrate this topic?
  2. Day for Tolerance and Unfriend Day both occur this month.
    1. Any comments on this coincidence?
    2. Have you ever unfriended anyone? How did that go? What were your reasons?
    3. How do you define tolerance? How important do you think it is?
  3. World Unique Talent Day offers us an upbeat topic to consider. Can you share with us/the world a tale that reveals what you consider an example of a unique talent?

Stop the machines now.

We must be heard.  Now!

You have claimed our best:

The young ones, their dreams;

Old ones, broken with grief;

Loved ones, long since lost.

Our smallest cry out

For the food to sustain.

Where are the healing arts

For those in the throes of death,

Breathing air you spoiled,

Drinking waters poisoned by you,

Eating food grown in ground

So tainted it grows only death?

Must we all slowly die

With starvation of the body,

The mind and even the soul

To keep the machines alive?

Stop! the machines now!

Is no one humane in charge?

We can no longer be grist alone.

How long until we refuse?

Why are your needs so great

That we must die just reaching for love,

While you give not one single sign

Or one single drop to show you care?

Will your machines still roar

If we are not there?

Devour us if you will, machines.

We will be gone yet free.

Of course, we will all be dead.

But how will the machines run then?

Who would you operate for?

Come, all my fellow workmen.

Listen well, you machine masters.

Come feed our hungry,

Clothe the naked,

Heal the sickened ones,

Provide for those starved

For some token of love,

Share gracefully in humility.

Stop these machines now.

Stop, stop, stop, stop.

The halls of the heart

Have templed walls

Where secret gods abide.

There the soul burns incense

And offers up its prayers,

And only that votary

Knows those halls,

And what strange gods dwell there.