Oh, to ride the WIND with the WILD ones…
but they will never ask me
and I would not really go
for the wilderness they choose
does not wake my gypsy hunger—
I would choose to follow a northern gale
To find a dragon lair.
But dragons do not tempt
The WILD ones on the WIND.
They dare to track the bucking bronc
Or bull, or fly the many known terrors;
While I, with my WILD heart,
would rise on the WIND
astride a dragon, fierce and mighty—
Too quick for lasso, too brief for saddle,
Unknown, untamed—too WILD,
even for those who ride the WIND.
Still, I will not ever go,
Will not ever challenge the sky
Upon the mysterious and fabled reality,
No, I will merely stand and watch
As the WILD ones on the WIND split the air
With the fever of their leaving.
SUCH A NONSENSE
Little Boy Blue…
Is that Australian for red
Or American for sad?
Come blow your horn
Ah, yes – American –
O, say, I see can!
The sheep’s in the meadow
The cow’s in the corn
Well, where else would they be?
Somewhere up a tree?
Where’s the boy who looks after the sheep?
Who cares? Where’s Little Boy Blue
Who plays his horn so true?
He’s under the haystack fast asleep.
Good grief! Get help right away—
He’ll suffocate if left to stay.
Will you wake him?
Will you come too?
Oh, no, not I. For if I do, he’ll surely cry.
So he’s the Little Boy Blue?
What a gyp! Wake him, wake him, do.
Leave him safe though crying ‘boohoo’.
He’s not a player I would woo.
I’d rather go to the zoo.
Where Can We Go
Where can we run
If the track is gone
Or the field destroyed
Or the mountain crushed
With flattened stones
Melting away
Into water-flow
Where can we go
If the water goes
Nowhere
The stream
Falls like Niagara,
And falls
Not into a gorge below
But off the very edge of the world
Where can we run?
Where can we go?
THE DURABILITY OF “OBSOLETE” WORDS
Recently I wrote about the startling news regarding some familiar words which someone has decided to dump into the “obsolete” or “archaic” bucket. Some of those words I still use in my own speech and writing. I guess that means I, too, am becoming antique. Oh, well.
Of the words listed by David Ouellet for the puzzle Wonderword using the theme “Words Going Extinct” are some I only call on when working crossword puzzles. Yet, many of these words carry with them special memories for me. Like Penelope Lively says in the Moon Tiger, “our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television.”
One of the words slated for obsolescence is “jetsam.” Its companion, “flotsam” is also on the list. These two words became names of characters in the recent musical, The Little Mermaid which may extend their life for a bit. Quoting Penelope Lively again, “I never cease to wonder…. that words are more durable than anything, that they blow with wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.”
The memory which comes to me when I see or hear “jetsam” is a televised production of Archy and Mehitabel starring Tammy Grimes. It was my introduction to this actress. She was wonderful and every time I see or hear that word I remember her singing the song “Flotsam and Jetsam.” Such is the power of “obsolete” and “archaic” words.
AUTHOR NOTES
GLASS RAIN—the poetry by Margaret Roxby
“WHERE CAN WE GO?” is included this week for United Nations International Day Against Nuclear Tests, August 29. This poem was likely written around the same time as similar poems she wrote after she and her young son discussed “the bomb.”
KALEIDOSCOPE–a series by Kathleen Roxby
“THE DURABILITY OF “OBSOLETE” WORDS” continues the author’s reaction to a word puzzle with the theme of words going obsolete.
THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby
“SUCH A NONSENSE” is included this week for National Ride With The Wind Day, September 1, National No Rhyme (or Reason) Day. The poem was written in response to a challenge to use a nursery as inspiration. It first appeared in 2001 in the poet’s chapbook, Tangent/Allusion.
SUBMISSION GUIDELINES
Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.
Guidelines for submission:
SPLINTERS FOR AUGUST 2022
To Ride with the Wild Ones
Oh, to ride the WIND with the WILD ones…
but they will never ask me
and I would not really go
for the wilderness they choose
does not wake my gypsy hunger—
I would choose to follow a northern gale
To find a dragon lair.
But dragons do not tempt
The WILD ones on the WIND.
They dare to track the bucking bronc
Or bull, or fly the many known terrors;
While I, with my WILD heart,
would rise on the WIND
astride a dragon, fierce and mighty—
Too quick for lasso, too brief for saddle,
Unknown, untamed—too WILD,
even for those who ride the WIND.
Still, I will not ever go,
Will not ever challenge the sky
Upon the mysterious and fabled reality,
No, I will merely stand and watch
As the WILD ones on the WIND split the air
With the fever of their leaving.
DREAMLAND BAY
I have heard it said
that a copper penny floats
light as a sea flower
on the rings of mist
of Dreamland Bay
And I have been told
that the sun
once a golden disk of ice
fired into light
to warm the days
of Dreamland Bay
And I have heard
that silver-needled starshine
pierces the dark
with soundless symphonies
in the silence of the nights
of Dreamland Bay
And I have wanted
all of my life
to be sailing white ships
on singing seas
to the shores
of Dreamland Bay
Where Are the Elegant Words?
Visiting my brother for the holiday, I found a puzzle in his local paper, “WonderWords.” The theme for this circle-the-word challenge was “Words Going Extinct.” There were several I had never seen or heard before, some I agreed were probably antique—good only for writers creating new works set in the past.
But then, I woke the following morning with the thought that there are many words I have not heard for a long time. I miss elegant words, I thought. Words that are precise, not just make-do. I long for days I never knew except in the movies of the 1930s when language was almost as important as the plot. My mother regularly seasoned her speech with words that required definition, but which were precise. Sometimes at school I would drop one of these words and startle my friends. “It’s a Mom word,” I told them which explained nothing but sufficed for the moment.
It has been too long since conversation has challenged and thrilled with the words and expressions it contains. I am tired of the sloppy talk of back alleys, rough streets, gutters; broken grammar copied until it seems to be no longer broken but somehow just as it should be by too many. I can appreciate the clever misuse of language, but I mourn when it becomes the standard. Language is owned by its speakers, but sad to say there seem to be too few who joy in its potential artistry.
Elegant speech challenges but is received too often by its hearers as a “put down” because it makes the listeners feel left out and confused. Rather than pursue knowledge and gain understanding of those wonderful words and expressions, they choose to believe they are an act of aggression. I once dated a man who was sure I was trying to make him uncomfortable on purpose, by speaking of things to which he had not been exposed or disposed to discover.
“That’s just how I talk and always have within my family,” I told him. “I am not trying to insult you and I am sorry you feel that I am. I can’t promise to stop mentioning topics important to me and using the words I know that you may not. I guess you’ll just have to accept that or stop dating me.” That relationship did end shortly after this conversation. Wish it had not been so.
AUTHOR NOTES
GLASS RAIN—the poetry by Margaret Roxby
“DREAMLAND BAY” is included this week for “Just Because Day,” August 27. In scrapbook from her teenage years, the author pasted a magazine’s picture of a sailing ship with caption “Dreamland Bay.” The idea of traveling to far away places fascinated the author.
KALEIDOSCOPE–an essay by Kathleen Roxby
“WHERE ARE THE ELEGANT WORDS?” speaks of the author’s fascination with words and also those of her mother who shared her love of the written word with the author beginning in childhood, reading her classic poems at bedtime.
THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby
“TO RIDE WITH THE WILD ONES” is included this week for National Ride With The Wind Day, August 23. The poem was inspired when she attended a local poetry group (Poetry Zone) reading where many of the poets shared adventure poems.