Little Boy Blue…

Is that Australian for red

Or American for sad?

Come blow your horn

Ah, yes – American –

O, say, I see can!

The sheep’s in the meadow

The cow’s in the corn

Well, where else would they be?

Somewhere up a tree?

Where’s the boy who looks after the sheep?

Who cares? Where’s Little Boy Blue

Who plays his horn so true?

He’s under the haystack fast asleep.

Good grief! Get help right away—

He’ll suffocate if left to stay.

Will you wake him?

Will you come too?

Oh, no, not I.  For if I do, he’ll surely cry.

So he’s the Little Boy Blue?

What a gyp!  Wake him, wake him, do.

Leave him safe though crying ‘boohoo’.

He’s not a player I would woo.

I’d rather go to the zoo.

Where can we run

If the track is gone

Or the field destroyed

Or the mountain crushed

With flattened stones

Melting away

Into water-flow

 

Where can we go

If the water goes

Nowhere

 

The stream

Falls like Niagara,

 

And falls

Not into a gorge below

But off the very edge of the world

 

Where can we run?

Where can we go?

Recently I wrote about the startling news regarding some familiar words which someone has decided to dump into the “obsolete” or “archaic” bucket. Some of those words I still use in my own speech and writing. I guess that means I, too, am becoming antique. Oh, well.

Of the words listed by David Ouellet for the  puzzle Wonderword using the theme “Words Going Extinct” are some I only call on when working crossword puzzles. Yet, many of these words carry with them special memories for me. Like Penelope Lively says in the Moon Tiger, “our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television.”

One of the words slated for obsolescence is “jetsam.”  Its companion, “flotsam” is also on the list. These two words became names of characters in the recent musical, The Little Mermaid which may extend their life for a bit. Quoting Penelope Lively again, “I never cease to wonder…. that words are more durable than anything, that they blow with wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.”

The memory which comes to me when I see or hear “jetsam” is a televised production of Archy and Mehitabel starring Tammy Grimes. It was my introduction to this actress. She was wonderful and every time I see or hear that word I remember her singing the song “Flotsam and Jetsam.” Such is the power of “obsolete” and “archaic” words.

GLASS RAIN—the poetry by Margaret Roxby

“WHERE CAN WE GO?” is included this week for United Nations International Day Against Nuclear Tests, August 29. This poem was likely written around the same time as similar poems she wrote after she and her young son discussed “the bomb.”

KALEIDOSCOPE–a series by Kathleen Roxby

“THE DURABILITY OF “OBSOLETE” WORDS” continues the author’s reaction to a word puzzle with the theme of words going obsolete.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“SUCH A NONSENSE” is included this week for National Ride With The Wind Day, September 1, National No Rhyme (or Reason) Day. The poem was written in response to a challenge to use a nursery as inspiration. It first appeared in 2001 in the poet’s chapbook, Tangent/Allusion.

 

 

 

Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.

Guidelines for submission:

  1. List Splintered Glass prompt which inspired the work in the text of your email.
  2. Submit material to be published as Microsoft Word document. Submission should not be longer than one page. Editing will not be provided, please be careful.
  3. Include two brief sentences about the author. Example: Michael Whozits is the author of A Book and The Curl, a blog. He is a retired pilot and avid surfer.
  4. Submission must arrive no later than the 3rd Wednesday of the month in which the Splintered Glass prompt appeared. Only one reader’s submission will be selected for any given month.
  5. Send submission to karoxby@gmail.com.
  1. Kathleen Roxby writes about a favorite crayon color. Did you have a favorite as a child? Why was it your favorite? Or write about why you did or did not like drawing or using crayons.
  2. What does the phrase “the great outdoors” make you think of?
  3. As writers you are undoubtedly a book lover. Do you have a favorite book, style or writer? Tell us about that.

 

Oh, to ride the WIND with the WILD ones…

but they will never ask me

and I would not really go

for the wilderness they choose

does not wake my gypsy hunger—

I would choose to follow a northern gale

To find a dragon lair.

 

But dragons do not tempt

The WILD ones on the WIND.

They dare to track the bucking bronc

Or bull, or fly the many known terrors;

While I, with my WILD heart,

would rise on the WIND

astride a dragon, fierce and mighty—

Too quick for lasso, too brief for saddle,

Unknown, untamed—too WILD,

even for those who ride the WIND.

 

Still, I will not ever go,

Will not ever challenge the sky

Upon the mysterious and fabled reality,

No, I will merely stand and watch

As the WILD ones on the WIND split the air

With the fever of their leaving.

I have heard it said

that a copper penny floats

light as a sea flower

on the rings of mist

of Dreamland Bay

 

And I have been told

that the sun

once a golden disk of ice

fired into light

to warm the days

of Dreamland Bay

 

And I have heard

that silver-needled starshine

pierces the dark

with soundless symphonies

in the silence of the nights

of Dreamland Bay

 

And I have wanted

all of my life

to be sailing white ships

on singing seas

to the shores

of Dreamland Bay

Visiting my brother for the holiday, I found a puzzle in his local paper, “WonderWords.” The theme for this circle-the-word challenge was “Words Going Extinct.” There were several I had never seen or heard before, some I agreed were probably antique—good only for writers creating new works set in the past.

But then, I woke the following morning with the thought that there are many words I have not heard for a long time. I miss elegant words, I thought. Words that are precise, not just make-do. I long for days I never knew except in the movies of the 1930s when language was almost as important as the plot. My mother regularly seasoned her speech with words that required definition, but which were precise. Sometimes at school I would drop one of these words and startle my friends. “It’s a Mom word,” I told them which explained nothing but sufficed for the moment.

It has been too long since conversation has challenged and thrilled with the words and expressions it contains. I am tired of the sloppy talk of back alleys, rough streets, gutters; broken grammar copied until it seems to be no longer broken but somehow just as it should be by too many. I can appreciate the clever misuse of language, but I mourn when it becomes the standard. Language is owned by its speakers, but sad to say there seem to be too few who joy in its potential artistry.

Elegant speech challenges but is received too often by its hearers as a “put down” because it makes the listeners feel left out and confused. Rather than pursue knowledge and gain understanding of those wonderful words and expressions, they choose to believe they are an act of aggression. I once dated a man who was sure I was trying to make him uncomfortable on purpose, by speaking of things to which he had not been exposed or disposed to discover.

“That’s just how I talk and always have within my family,” I told him. “I am not trying to insult you and I am sorry you feel that I am. I can’t promise to stop mentioning topics important to me and using the words I know that you may not. I guess you’ll just have to accept that or stop dating me.” That relationship did end shortly after this conversation. Wish it had not been so.

GLASS RAIN—the poetry by Margaret Roxby

“DREAMLAND BAY” is included this week for “Just Because Day,” August 27. In scrapbook from her teenage years, the author pasted a magazine’s picture of a sailing ship with caption “Dreamland Bay.” The idea of traveling to far away places fascinated the author.

KALEIDOSCOPE–an essay by Kathleen Roxby

“WHERE ARE THE ELEGANT WORDS?” speaks of the author’s fascination with words and also those of her mother who shared her love of the written word with the author beginning in childhood, reading her classic poems at bedtime.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“TO RIDE WITH THE WILD ONES” is included this week for National Ride With The Wind Day, August 23. The poem was inspired when she attended a local poetry group (Poetry Zone) reading where many of the poets shared adventure poems.