The river delta so thick with silt
It sits like a swipe of peanut butter
Dotted with sampans and junks
Unmoving, even near harbor’s sea edge.
Remnants of a Portuguese past,
Still linger in shaded patio,
Whisper from delicate iron tracery,
Rust with silent bells in a church steeple.
A small arch offers little shade
To guards poised to stop errant steps,
Beside the foot path to China’s gate:
Sun-bleached, hard-packed
Bleak—up to and beyond—
Through distant green and empty hills
Which would otherwise welcome.
Two nationals returning
Approach the gate with eyes down
Walk forward in a backward slow gait
Carefully placing steps
As if to leave no trace of their passage.
Elsewhere, away up hill
Past mahjong gaming rooms,
A temple squats beside the road.
Within its tepid coolness,
Carved images of monks,
Fragrance of incense, flowers
Both fresh and dying,
A few poignant photographs.
Anchored at the foot of the hill,
In glitter and wealth, the casino boat—
Offering free passage home
For any with emptied pockets.
In the heavy velvet air
Summer-muffled,
Laughter seems out of place
On this hot afternoon.
THE BURDEN
Oh, the burden of being a friend
to the strong
They ask only what we can give
knowing it will take
all that we have
And they always know
what they ask
so never fail to forgive
when we fail
before the end
Oh, the burden of being friend
to the strong
To know and not understand
the brilliance
we touch and yet do not
To see pity and true sorrow
in their eyes
when they see and know
how little we can do
To stand before a magic mirror
seeing ourselves clearly held
bound at the threshold
while beyond our reach
go the strong ones
striding into a world of possibilities
Yes, they know what little we can give
when ideals become reality
but they know, too, the greatness
of our most precious gift:
We will not refuse the burden,
the burden of loving the strong.
THE SECRET PLACE
Sometimes the moon
With full and radiant face
Smiles down upon
The quiet secret place
And sometimes stars
Surprised from reaches dark and wide
Peer sparkling
Where the wonders are
And sometimes,
(O, this is best of all)
You, my friend
See and share
What fairy gardens flower for me.
The Human Touch
My memory is full of all those whose lives
Somewhere, sometime touched upon mine leaving behind
A shining residue of love, friendship and hope.
Without these freely given values, my life would
Surely not have been so filled to the brim
With life and all those things that make it meaningful.
Yes, even those who criticized me, were even cruel,
Contributed to a fuller understanding of life’s
Eternal struggle to shape the character of a man.
All the friends and many relations I have known
Enriched me, so I am loath to ask for more.
It seems impossible for me to say in words
How much my life was filled with joy
Because of you and you, my friends and family.
AUTHOR NOTES
GLASS RAIN—the poetry by Margaret Roxby
“THE SECRET PLACE,” was in the author’s words, “written after a discussion with my son about the mysteries of our universe and, especially (in his words) the possibility of the illusionary qualities of what we think we see and feel, etc., etc., etc.”—from poetry Round Robin letter written in 1991. It is included this week for Listening Day.
REFRACTIONS—a series by Robert Roxby
“THE HUMAN TOUCH,” is included this week for July 30, Friendship Day. The poem, newly edited, was first published in the author’s collection Reflections on a Lifetime.
THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby
“THE BURDEN” is included this week for July 30, Friendship Day. The poem was inspired by the film Julia, released in 1977 based on the Lillian Hellman’s story of childhood friendship with someone named Julia (see Hellman’s story Pentimento).
SUBMISSION GUIDELINES
Readers who write in response to one of the prompts listed each month in Splintered Glass, may see their work presented here on the last week of that month. Though poems are preferred, short prose work will also be considered for publication.
Guidelines for submission:
SPLINTERS FOR JULY 2022
A Visit to Macau, 1976
The river delta so thick with silt
It sits like a swipe of peanut butter
Dotted with sampans and junks
Unmoving, even near harbor’s sea edge.
Remnants of a Portuguese past,
Still linger in shaded patio,
Whisper from delicate iron tracery,
Rust with silent bells in a church steeple.
A small arch offers little shade
To guards poised to stop errant steps,
Beside the foot path to China’s gate:
Sun-bleached, hard-packed
Bleak—up to and beyond—
Through distant green and empty hills
Which would otherwise welcome.
Two nationals returning
Approach the gate with eyes down
Walk forward in a backward slow gait
Carefully placing steps
As if to leave no trace of their passage.
Elsewhere, away up hill
Past mahjong gaming rooms,
A temple squats beside the road.
Within its tepid coolness,
Carved images of monks,
Fragrance of incense, flowers
Both fresh and dying,
A few poignant photographs.
Anchored at the foot of the hill,
In glitter and wealth, the casino boat—
Offering free passage home
For any with emptied pockets.
In the heavy velvet air
Summer-muffled,
Laughter seems out of place
On this hot afternoon.
THE BOREDOM RUN
Iron dawn
rolls
out
flat
Unpatterned
rumbles
into
the
colossal
caldron
of
mogul
day
The molten metal consumes all
And when the run is done
nothing is left
but emptiness
and
the
cold
brass-lined
sky
GRAFFITI: DREAMS OF IMMORTALITY
Not to live forever, but to be remembered beyond the last heartbeat, the final breath. To leave a name painted, written or carved, to tell the air and any eye that chances by that the maker of this name once lived. Perchance someone might ponder awhile the name left behind, or report the sight of the found name, giving it sound once more shaped in the voice of a future stranger.
Is this not the reason for so much that we do? Do we not all yearn for such immortality? Not to live forever, but only to be remembered.
AUTHOR NOTES
GLASS RAIN—the poetry by Margaret Roxby
“THE BOREDOM RUN” is included this week for Hot Enough For Ya Day, July 23.
KALEIDOSCOPE—a series by Kathleen Roxby
“GRAFFITI: DREAMS OF IMMORTALITY” is included this week for Be Someone Day, July 21.
THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby
“MACAU” is included this week for Hot Enough For Ya Day, July 23. The poem was inspired by the author’s visit to Macau in 1976 long before this Portuguese foothold was returned to China in 1999.