GLASS RAIN—the poetry by Margaret Roxby

“(perhaps)” was found among the author’s papers. The inspiration for this poem is unknown.

REFRACTIONS— the poetry of Robert Roxby

“UNEXPECTED PRAYER.” Robert and his wife had accompanied their daughter the 120 miles to the city (115 by train) of her new job. Their unmarried daughter had lived all her life (almost 50 years) till then in her home town. The sadness he attributes to his daughter is more likely his own. The poem first appeared in the author’s anthology, Reflections on a Lifetime, 2000.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“RETURN OF THE IBO” is a result first of a misheard word in a song on the radio while driving home along the coast which triggered her imagination. The author composed this poem as she completed her drive. The other inspiration was a television story of a shipload of Ibo natives, one of the last slave ships to arrive from Africa which off-loaded its cargo temporarily on an off shore island not equipped to receive such a ship, causing them to lower the slaves into the water, expecting them to wade ashore. However, knowing they were to be sold as slaves when the ship returned for them, the people–still chained together–turned outward toward the open ocean and waded into its depths to their deaths.

GLASS RAIN—the poetry by Margaret Roxby

“GRIEF” may or may not be written about the days following the loss of her first child, a son who never breathed after birth. The author told of how her eventual recovery resulted after a nurse, against orders, brought to her room a live prematurley born Black child which barely fit in the nurse’s palm. The sight of this little miracle is what Margaret felt broke through her depression.

REFRACTIONS— the poetry of Robert Roxby

“THE WALL” is likely written about the wall of names commemorating the ship Arizona sunk duing the Pearl Harbor attack. The author and his wife visited Honolulu where they were strongly moved by the memorial.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“YELLOW IS A STATE OF MIND” is one of several poems exploring color in the author’s chapbook, “Singular Prism,” soon to be published.

GLASS RAIN—the poetry by Margaret Roxby

“SUMMER COMES TO BREWSTER PLACE” as indicated in the subtitle came to the author when she was deeply moved by the novel by Gloria Naylor. The same story was later shown as a television mini series, “The Women of Brewster Place,” which was produced by Oprah Winfrey.

REFRACTIONS— the poetry of Robert Roxby

“INDUSTRIAL TOWN” is likely written about Wheeling, West Virginia where the author settled as an adult. The poem first appeared in the authors anthology, Reflections on a Lifetime, 2000.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“BECAUSE YOU WERE MY FRIEND” is a product of a time of serious depression that occurred in the author’s twenties. The friend had himself dealt with depression, the result of his time served with the military in the Viet Nam War. It was orignally published in a newsletter, CHOICE.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“A SOFT MORNING RAIN” was found among the poet’s scribbles.

REFRACTIONS—a poem by Robert Roxby

“ESCAPADE” first appeared in his anthology, Reflections of a Lifetime, 2000. This poem appears this month for two reasons: 1) it illustrates the arrival of Spring in the breaking of the ice, and 2) demonstrates the special knowledge of mothers (honored in May).

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“BRIGHT HUNGER” is included for May 30, Water a Flower Day. This poem expresses the author’s joy in experiencing the beauty of nature after having been depressed for months.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“[ROAD TRIP]” is included for May 23, National Road Trip Day. The poem did not have a title when found among the author’s writings.

REFRACTIONS—a poem by Robert Roxby

“SWIMMERS ALL” is included this week for May 17, Learn to Swim Day. The poem first appeared in his anthology, Reflections of a Lifetime, 2000. He and his cousins grew up in the mining country of Ohio, Pennsylvania and West Virginia where their naked swims were never a an issue of concern to their families. The author was inspired to write this by a 1910 photograph of his three oldest brothers and some cousins taken along a railroad track.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“PAN-AMERICAN UNITY” is included this week for May 21, UN Cultural Diversity Day. Lakewood, the neighboring city to the author’s home town of Long Beach, celebrated a friendship with a Spanish city to their south every Spring. In addition to speeches, parades and picnics, they offered writing competitions for the schools and for adults. Both of the author’s parents participated in these competition and occasionally received honors.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“THE LAND OF BEYOND” was found among the author’s scribbles. It is likely the Arnheim to which she refers is that of Poe’s Domain of Arnheim.

REFRACTIONS—a poem by Robert Roxby

“TO SEE (A TREE)” first appeared in his anthology, Reflections of a Lifetime, 2000.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“THIS TIME KINDNESS” first appeared in her chapbook, Paper Doll, 2000. It was inspired by seeing a particular schoolmate at her twentieth high school reunion.

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“POEM FOR MOTHERS” is included for Mother’s Day. The poem was found among the author’s scribbles and had no title. She may have written this about herself, her own mother or others she knew.

REFRACTIONS—a poem by Robert Roxby

“THAT BEE” once again presents the author’s fascination with nature. The poem first appeared in his anthology, Reflections of a Lifetime, 2000.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“LIMESTONE” was inspired by a visit to London, England where she saw the limestone walls of Westminster peeling and dropping onto the sidewalk. The city had just established scaffolding to allow the walls to be washed clean and coal was no longer the primary source of heat in the city suggesting that the limestone would not soon return to this state.

 

 

GLASS RAIN—the poetry by Margaret Roxby

The poem, “DANCE OF UNICORN,” appears this week for April 29, International Dance Day. Those familiar with the author’s work will know she had a special fondness for the subject of unicorns. Since we are honoring dance, it may be interesting to know she encouraged her own daughter in dance classes.

REFRACTIONSpoetry by Robert Roxby

“ALL ABOUT MAY” presents once again the author is his exhuberance triggered by nature and strengthened by thoughts of love. This group of poems first appeared in the author’s collection, Reflections on a Lifetime, 2000.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

This selection  appears for April 27, Sense of Smell Day. This piece originally appeared as one of three poems under the title, “Haikus At the Window” in her chapbook, Chameleon Woman, released 2000. The inspiring view (for all three poems) appeared in the window facing her desk at work. She wrote all three of the poems while sitting there.

GLASS RAIN—the poetry by Margaret Roxby

The poem “POE” is displayed this month for UN World Creativity and Innovation, April 21. This author was a particular favorite of Margaret’s. She even read some of his poetry to her daughter at bedtime in place of the fairy tales that the little girl often did not enjoy. It is possible the author intended to title the poem “Wild October Ghosts,” a guess-read of her shorthand notation on the original.

REFRACTIONS—the poetry of Robert Roxby

“YOUNG” appears in honor of Arbor Day, April 26. The poem likely describes his own childhood in the hills of coal country: Ohio, Pennsylvania, West Virginia. He had a lifelong fascination with forests, taking his family on family trips to see the redwoods and sequoias of California. This poem first appeared in his collection Reflections on a Lifetime.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“SPIRIT QUEST” appears this week for April 22, World Earth Day. The poem was inspired by a trip to the beach on a rock gathering expedition with her college Geology class. However, her fascination with rocks began much earlier. There was a fairly large collection on display in her back yard during her elementary years.

GLASS RAIN—the poetry by Margaret Roxby

“SOMEWHERE” appears this week for April 17, International Haiku Poetry Day. The author shared this in 1992 with her “Round Robin” poetry friends who shared and commented on poetry they exchanged by mail. On her original she wrote the following:

“This is a little poem which I wrote many years ago, but I thought it might be appropriate since we have lost one of our “robins”—I am sure she has seen those blossoms.

Speaking of syllable count as I have in comments, this haiku or senreyu or whatever, the last line has just 4 syllables. Someone once suggested changing it to “blossoms are waiting”—but that says something entirely different, so I never changed it. and I’m glad.”

REFRACTIONSpoetry by Robert Roxby

“THE MINERS” is included this week for That Sucks Day, April 14. The scenes in this poem were a daily vision in the poet’s childhood. The 1930s Depression had hit his area by the time he graduated high school (the only one in his family to do so), and so his family talked him into a job as a coal miner. Even having seen and felt what he reveals in this poem, he spent the day in that particular hole. But when he emerged, he declared he would never again enter a mine to work, even though jobs were so scarce during the Depression. This poem first appeared in the author’s collection, Reflections on a Lifetime.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“EASTER” is a piece the author intended as a sort of Easter Card verse to share with family when her grandmother was still living.