GLASS RAIN—the poetry by Margaret Roxby

“A DREAM REMEMBERED.” The piece appears for Inspire Your Heart with Art Day, January 31. The author often expressed such opinions. She was fascinated by Spanish rhythms, likely primarily from the films of the 1930s and from radio. It is possible that the flood of European immigrants before and after WWI lifetime may have brought Spanish and Portuguese to her area of West Virginia. Also, her daughter remembers Margaret speaking of her grandfather and father playing the mandolin at home. The music they played may or may not have been Spanish.

KALEIDOSCOPE—from a series by Kathleen Roxby on the English language

“WIFE, MOTHER, LOVER, NURSE.” The author, now in old age, once-again tells of his love for his wife.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“TAKE US” is included this week as a nod to January 31, Inspire Your Heart With Art, the art in this case being poetry.

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“WHAT’S IN A NAME?” This is another scrap from the poet’s desk and was not titled by this author. The piece appears for National Compliment and National Belly Laugh Day, January 24. The author often expressed such an opininion. She had her problem with name as a child. Friends and family called her “Peg.” Teachers had to learn. Later at work it became both “Marg” or “Margaret.”

REFRACTIONS—the poetry of Robert Roxby

In “MY LADY WITH THE JOYFUL LAUGH,” the author once-again tells of his love for his wife.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“HOW LIKE A GREEDY CHILD” is included this week as a nod to National Compliments Day, January 24. However, some may find this selection inappropriate, except in a backhanded sort of way. Even with the zinger at the close. The subject considered the author a very close friend.

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“THE LAND OF BEYOND.” This poet was fascinated by fantasy and science from her youth. Such ideas teased her mind to dream and she had a brilliant and active one. One of her particularly favorite stories from youth was that of Arnheim. She returned to it more than once in her writing. This piece itself is a scrap found among her papers.

KALEIDOSCOPE—the poetry of Robert Roxby

“THE VALLEY” is included this week for National Nothingness Day, January 16. This describes the world of the poet’s youth. Is it any wonder that he returns to it again and again?

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“PRACTICING CHI” is also included this week as a nod to National Nothingness Day. The author thought it was particularly appropriate. The poet was introduced to Chi in a park in Hong Kong on a visit before China reclaimed this throng of people. She found the daily practice of this art truly impressed her. She now lives near an old woman who can be seen going through her moves in the public park area of their condo complex.

 

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“POE.” This poet was a favorite of the author’s to the point where she read some of his poetry to her young daughter of elementary school age. This scrap was found among the loose papers on her desk after her death. Work, apparently, was still in progress—not unlike Poe himself.

KALEIDOSCOPE—from a series by Kathleen Roxby on the English language

“CHERUS.” We bring you this desperate word search the same week National Word Nerd occurs. The emotion expressed in the poem are most likely about his wife. The two were very close, especially meeting in their late twenties and then losing the first baby as a shock right at birth.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“THE WRITER” is also included this week as a nod to National Word Nerd, January 2. The author did experience something very like this moment described. When asked about it, she replied, “People think a writer’s life is easy. They don’t know.”

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“(untitled)” is a piece intended for an outgoing president of the chapter of California Federation of Chapparel Poets to which Margaret belonged. It is not known if she completed her tribute and presented it, as this unfinished bit is all that remains.

REFRACTIONS—the poetry by Robert Roxby

“ENDLESSLY” was written near the end of the poet’s life and seems to be his optimistic view of his life. The fragment was found in his poet’s journal.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“THE MAN FROM CROWDED SPACES” is included this week as we face the as yet empty year. The poet was inspired by a film in which the scene described occurs. It so moved her, she felt she had to captured it in a poem, this poem.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“THE WHOLE WORLD NEEDS CHRISTMAS” was found among the poet’s papers. Late in her life, she began to craft her own Christmas cards, and this piece was likely intended for that purpose. Christmas: the decorations, the food, the visits with friends and family was something she looked forward to every year, beginning preparations in November. Her daughter remembers being charged with cracking nuts for Christmas goodies while dreaming of her own November birthday and upcoming Thanksgiving.

REFRACTIONS—the poetry by Robert Roxby

“CHRISTMAS JOYS.” Like his wife, the poet welcomed Christmas every year. The poem was found in his poet’s journal.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“MY GRANDFATHER’S LEGACY” is included this week for December 23, National Roots Day. Though the author never met her grandfathers, either one, both of them left such an impact that it carried forward to the next generation. The specific grandfather described in this poem was her maternal grandfather.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“THE FRAGILE WORD,” is a fragment found among the author’s papers. These few words came with it and are perhaps the author’s attempt to describe the nature of being a poet:

“I became a fisher of moonbeams.”

REFRACTIONS—the poetry by Robert Roxby

“POETS.” Poetry was something the author and his wife shared early on. As a young man, he had great apprecation for Walt Whitman which he shared with his then girlfriend (future wife), and later gifted her with a collection of poetry, Poets Gold, which was one of her favorites through her life. This particular poem was found in the Robert’s journal.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“WE WISH YOU A POETS’ CHRISTMAS” is a little rewording of the famous “We Wish You a Merry Christmas, which the poet prepared for her local poet group and which she shared with them at the December reading.

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“LITTLE DOVE,” may be a reference to the biblical story of the bird which brought evidence of land to the long water-trapped ship piloted by Noah. Having lived through both WW1, WW2, the Korean conflict, and seen the struggles of the Depression, and the Viet Nam era and Civil Rights Movement, the author set a great value on peace making it equal or nearly so to love.

REFRACTIONS—the poetry by Robert Roxby

“87” was written when the author had been a widower for eight years. As an introvert growing up with ten brothers, he learned to treasure the gentler natures of his mother and sisters. This attitude he carried with him all his life as reflected in this poem which was found in his poet’s journal.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“INVISIBLE” is included this week for December 12, National Ding a Ling Day (contact someone not reached out to in some time).

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“THE INSTRUMENT” was originally intended to be part a prose work the author was working on. Her daughter, upon hearing these words, suggested it was more poetry than prose and maybe could stand alone. The author agreed eventually that these words felt misplaced in the prose work.

REFRACTIONS—the poetry by Robert Roxby

“SMALL TOWN” first appeared in the author’s collection, Reflections on a Lifetime. Son of a coal miner, he spent most of his youth in small towns. Apparently, he developed an affection for what he found there.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“ARE YOU SCARED?” is included this week for December 3, Roof Over Your Head Day.

 

 

 

 

GLASS RAIN—the poetry by Margaret Roxby

“A POET IS BORN” is included this week for November 24, World Unique Talent Day. It is interesting to note that the author uses the metaphor of making bread which she did not do so herself. However, her mother prepared many homemade loaves for her own and then her daughter’s family. So, the author knew the process intimately and may have participated as a child.

REFRACTIONS—a poem by Robert Roxby

“THE INDIAN’S LAMENT” is presented this week for Native American Heritage Day, Nov 29. The author developed his respect for the Native Americans while living in the forests of Pennsylvania, Ohio, West Virginia. When he moved to California for work during WW2, this interest expanded as he explored the West during his vacations. This poem first appeared in the author’s book, Reflections on a Lifetime, produced when he was in his late eighties.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“COAL MINERS LAMENT” is presented this week for November 28, Day of Mourning (for workers killed/injured on job).  The author’s father, Robert, had a job waiting which he worked that one day exiting with these words, “I’m not going down there ever again.” However, this fact ise not the inspiration for this poem, but a PBS documentary made by a young woman about a then current of miners in the same location of an earlier brutal Harlan Country Strike which occurred in the 1930s. The filmmaker interwove the 1930s’ footage with that of her own. The interviews she conducted are the main source for this poem, particularly one old gentleman who had lost his sight from working out of the sun for so long.