GLASS RAIN—the poetry by Margaret Roxby

“TO A SOLDIER, (The Letter Not Sent” was found among the poet’s papers. It was selected this week for Armistice/Veterans Day, November 11. The poet knew many soldiers going off to war. Though very young, she knew her uncles had served during WWI, later during WWII, a boyfriend, a long-time girlfriend and the members of her family all served—some did not return.

REFRACTIONS—the poetry by Robert Roxby

“NOVEMBER ELEVENTH,” commemorates the Armistice of WW1. Although this occurred before the author was yet five years old, its impact was strong among the people he met as he grew into a man. This poem was found among the author’s papers.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“DEARTH,” is included to honor the emotions that arise from Armistice/Veterans Day. The title word fascinated the author as its origin indicates it means “dear” or “precious” but came to mean scarcity. To the author its spelling suggests it is a merge of “death” and “earth.”

 

 

GLASS RAIN—the poetry by Margaret Roxby

“SCURRY, SCURRY (A Tour of the Sewers)” is included this week for November 1, World National Stress Awareness Day. The poem was found among the author’s papers.

REFRACTIONS –a poem by Robert Roxby

“HOW CAN I SAY GOOD-BYE?” was written after learning of the death of a friend. The poem was found among the author’s papers and is included for All Souls’ Day, November 2.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“A DANGEROUS PAIR” was written when the author was writing a series of poems with color as the overall theme.

 

GLASS RAIN—the poetry by Margaret Roxby

“GYPSY DREAMS” was selected this week for upcoming Halloween when children dress up in costumes and thoughts of magic are in the air. Gypsies and fairies are recurrent themes in the author’s poems. She, herself, held a belief that in a former life she must have been a gypsy somewhere on the Iberian peninsula.

REFRACTIONS –a poem by Robert Roxby

“LAST LEAF” first appeared in the author’s 2000 poetry anthology, Reflections of a Lifetime. It is included for this month as Autumn leaves are falling.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“PETER PUMPKIN-EATER WAS CRUEL” was written when the author was writing a series of poems with color as the overall theme. As may be guessed, the author would not choose orange as a favorite color.

GLASS RAIN—the poetry by Margaret Roxby

“THREE STRAW LADIES” was written, according to the author’s daughter, sometime late in 1960. The daughter’s recollection is that the author woke from a troubling dream which is described in the poem. Searching for meaning, the author shared the dream because her daughter had demonstrated a knack for interpreting dreams. What the daughter did not tell her mother was that from her daughter’s perspective, Margaret was having an identity crises brought on by the ravages of menopause.

REFRACTIONS –a poem by Robert Roxby

“A DAY TO BE TRUANT” first appeared in the 2000 author’s poetry anthology, Reflections of a Lifetime. This is not the only poem the author wrote about being truant. After reading them, his daughter wondered just how many days of school he did attend and , given his penchant for being truant, how he managed to qualify for two scholarships (mathematics and chemistry) by the time he graduated high school. On this particular day in 1922, he was living in Harmarville, Pennsylvania.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“ALFALFA” appears this week to accompany “Three Straw Ladies.” though the poems have little in common but the product of nature they speak about. This poem was actually written in response to a writing prompt at a writer’s conference.

GLASS RAIN—the poetry by Margaret Roxby

“NOTHING IS LOST” was first published in 1976 by POETRY FORUM. The poem reflects the author’s nostalgia for her youth in the Ohio Valley region of West Virginia and is especially applicable this month of her birth.

REFRACTIONS –a poem by Robert Roxby

“DRYDOCK CREW” asked if anyone would remember the one called “Rock.” Have you guessed? It was the author, of course. The poem was written in remembrance of his first  crew (painters) in 1942 at the Long Beach Naval Yard, the first year the author made California his new home. His daughter read this poem as part of his eulogy, a service which was attended by another drydock team member. He was indeed remembered. The poem is included this week for November 13, Navy Day.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“A MOTHER’S CHILDHOOD MELODY” appears this month of the author’s mother’s birth to retell the story of how music accompanied her mother’s memories of her home in West Virginia which began before there was television and even radio was relatively new.

GLASS RAIN—the poetry by Margaret Roxby

“DREAM’S END” was first published in 1965 by BITTERROOT. This poem was written after a trip through Yellowstone National Park the first summer the park was open following the 7.5  earthquake of 1959.

KALEIDOSCOPE –an essay by Kathleen Roxby

“A PLAGUE OF APOSTROPHES,” continues the author’s series on the oddities of in the English language.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“AN OLD WOMAN’S HAIR” was written in remembrance of her grandmother whose birth date occurs this month and who had kept in her cedar chest a cutting of her once chestnut colored hair. The author also would like to thank all the older woman of various rest homes she visited as a volunteer.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“PAGEANT OF GOLD,” which was inspired by the play, Royal Hunt of the Sun by Peter Shaffer, won third place in the annual poetry contest sponsored by the Pan-American Festival in Lakewood, California. The author attended a performance of the play at the Greek Theater in Griffith Park, Los Angeles, California. She also purchased a copy of the play through a subscription service which offered all new Broadway plays each year. It is included this week for the Autumn Solstice.

REFRACTIONS – a memory of Kathleen Roxby

“MY MOTHER’S PIANO” was inspired when the author’s brother exchanged their mother’s piano, long worn out, for a new and better version, a console rather than spinet. The author had once longed to inherit her mother’s piano, but as her brother was the greater talent in the family, she left it for him and bought her own.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“MOONS WE DO NOT KNOW” was inspired by a writing prompt from a poetry group which provided the quoted excerpt from “Naming of the Heartbeats,”a poem by Aimee Nezhukumatathil. Kathleen, always fascinated by space, was caught by the thought of moon shadows from moon other than the one which trails so near Earth. Note: The Chinese Moon Festival occurs this week.

GLASS RAIN—the poetry by Margaret Roxby

“DAWN SONG,” found among the poet’s papers originally had no title; however, the website manager supplied this name as it seemed appropriate.

REFRACTIONS – a poem by Robert Roxby

“WHEN AUTUMN COMES” was inspired by a road trip through Pennsylvania in 1967. The poem was found in the author’s poetry journal.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“WINDEMERE, A WISH DEFERRED” was inspired by the author’s visit one rainy summer. Though disappointed not to be able to wander in the meadow, then too muddy for her sports shoes, she meandered briefly along a narrow path through the bordering woods.

GLASS RAIN—the poetry by Margaret Roxby

“A DREAMER TARRIES” originally had no title; however, the website manager supplied this as it seemed appropriate. Music and fairies often appear in the author’s poems, a reflection of her early childhood. The poem, possibly an idea for a longer poem, was found among the author’s papers written on the back of an envelope.

REFRACTIONS –an essay by Kathleen Roxby

“GRANDMA ROXBY” was inspired by the author’s interview with her father to establish the start of a family tree. The project resulted in an incomplete tree, for her father did not have all the answers, of which she made several copies to send to an upcoming family reunion which the author would not be able to attend. This “tree” project was a success and inspired the family to do further research. The author always called this grandmother by the poem’s title to distinguish her from the author’s maternal grandmother who lived with the author during much of her childhood while Grandma Roxby lived three thousand miles away. This selection is included for September 10, Grandparents’ Day.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“AN OLD WOMAN’S HAIR” was inspired by several older women the author met or knew during her youth. Her own grandmother had short gray hair when the author was born, but later showed the author a braid of her chestnut brown hair which was kept in the cedar chest where her grandmother kept other memories. That keepsake is the real inspiration for this poem.

 

GLASS RAIN—the poetry by Margaret Roxby

“UPON SILENT SANDS” alludes to the ancient Greek poet Sapho, a person and talent who fascinated Margaret Roxby when she first learned of this person in high school. The idea of an island where poets, especially female poet (like herself) might go to live with, among and within poetry while creating it yourself seemed ideal.

REFRACTIONS –an essay by Kathleen Roxby

“WHY HOME IS A SHORE ANYWHERE IN THE WORLD” is a recent essay written as part a writing workshop, Writing Through the Apocolypse, led by Marcia Meier. This piece reflects the discovery the author made when feeling vaguely unwell during an extended trip in the British Isles. On a free day rather than resting in bed, she went for a walk along the nearby shore of a firth near Troon, Scotland. Slowly she found all her dis-ease seeped away revealing to her the ill feeling had been homesickness, something she had never felt before and which the salt air, waves lapping the shore, shells and sands of the beach had cured.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“HOVERING” describes a situation the author experienced more than once when she worked as a secretary and manager of a computer system. The poem is included this week for bring your manners to work day, September 4.