GLASS RAIN—the poetry by Margaret Roxby

“SEASONS GREETINGS” is another of the simple verses the author created to use on her own handmade greetings cards.

REFRACTIONS—the poetry by Robert Roxby

“FOOTSTEPS” was found among the author’s papers. It is included this week for National Roots Day, December 23.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“CHRISTMAS TO THE NTH RIDICULOUS” was inspired by a a couple of television movies depicting decoration competitions which seemed to get out of control.

 

GLASS RAIN—the poetry by Margaret Roxby

“FANTASY, THE MAGIC DREAM” takes the form of a villanelle. The author liked to explore different poetic patterns and challenged her poet friends and members of her local chapter of the California Federation of Chaparral Poets to do the same. The poem appears this week for the Worldwide Candle Lighting, December 10.

KALEIDOSCOPE—the poetry by Kathleen Roxby

“THE EPITHET” is included this week for World Human Rights Day, December 10. While the Kaleidoscope feature is usually an essay about the oddities of the English language, this poem also focuses on a class of words.

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“WEATHERING WINTER” was inspired by one especially cold winter when the author found it difficult to leave the warmth of her bed.

GLASS RAIN—the poetry by Margaret Roxby

“REGRET” was first published in 1961 by Writers Notes & Quotes.  The poem was also awarded a prize by the California Federation of Chaparral Poets. It is included this week for December 8, Pretend To Be A Time Traveler Day.

REFRACTIONS—the poetry by Robert Roxby

“DREAMS” was found in the author’s journal with a note from the author “We need dreams.”

THROUGH THE LOOKING GLASS—works by Kathleen Roxby

“THE WIND:A REVERIE” is another poem reflecting the poet’s special interest in the natural phenomenon of wind.

 

GLASS RAIN—the poetry by Margaret Roxby

“REMEMBERING A DREAM” was found among the writer’s papers. It was likely written about the same time as “The Awakening,” see this site July 26.

KALEIDOSCOPE—a series by Kathleen Roxby

“ENGLISH VS TWO ORIENTAL LANGUAGES” continues the author’s exploration of the oddities of the English language. This particular selection was inspired by reading another author’s exploration and explanation of Japanese (and its links to Chinese) in an on-line post on a site the author follows. The author and her poet mother were both drawn to oriental poetry and therefore the native languages in which these were written. When Kathleen was still a child, she found a small pamphlet describing the Chinese script from which she copied the ancient version of the word for “horse” (which still looked like the image of a horse) to paint onto a porcelain bowl she created in her fourth grade classroom when they studied China.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“RAINDROPS,” is a seasonal haiku which the author wrote during an exceptionally rainy year. It is included this week as the Fall season comes to an end.

GLASS RAIN—the poetry by Margaret Roxby

“STOREHOUSE,” was found among the poet’s papers. It is another example of the poet’s persistent optimism which seems appropriate as Thanksgiving approaches and the end of another year.

REFRACTIONS—the poetry by Robert Roxby

“SENSING LIFE,” was selected as a companion to the poem this week by Kathleen Roxby as both are celebration of our senses. The poet’s only comment on this poem, “Just musing.”

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“A PRISM SAVORY,” another poem intended for her chapbook A Singular Prism, a series exploring color . The poem is included this week in anticipation of the feasting to come at Thanksgiving dinners.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“MOODS,” was found among the poet’s papers with a cutting from Good Housekeeping magazine. It is unclear if she intended to submit the poem or even if the poem was written by this author, though it appears to be in her style.

REFRACTIONS—the poetry by Robert Roxby

“A LITTLE LOVE,” was selected for this month when our minds are drawn to care for others (Veterans’ Day and Thanksgiving Day). The poet said this was written “to a memory of my youth.”

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“IN ANOTHER’S SHOES,” is the author’s response to the admonition, often heard in her youth, “walk a mile in another’s shoes.” Exploring this challenge to acquire empathy for others, she composed this poem.

 

 

GLASS RAIN—the poetry by Margaret Roxby

“TO A SOLDIER, (The Letter Not Sent” was found among the poet’s papers. It was selected this week for Armistice/Veterans Day, November 11. The poet knew many soldiers going off to war. Though very young, she knew her uncles had served during WWI, later during WWII, a boyfriend, a long-time girlfriend and the members of her family all served—some did not return.

REFRACTIONS—the poetry by Robert Roxby

“NOVEMBER ELEVENTH,” commemorates the Armistice of WW1. Although this occurred before the author was yet five years old, its impact was strong among the people he met as he grew into a man. This poem was found among the author’s papers.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“DEARTH,” is included to honor the emotions that arise from Armistice/Veterans Day. The title word fascinated the author as its origin indicates it means “dear” or “precious” but came to mean scarcity. To the author its spelling suggests it is a merge of “death” and “earth.”

 

 

GLASS RAIN—the poetry by Margaret Roxby

“SCURRY, SCURRY (A Tour of the Sewers)” is included this week for November 1, World National Stress Awareness Day. The poem was found among the author’s papers.

REFRACTIONS –a poem by Robert Roxby

“HOW CAN I SAY GOOD-BYE?” was written after learning of the death of a friend. The poem was found among the author’s papers and is included for All Souls’ Day, November 2.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“A DANGEROUS PAIR” was written when the author was writing a series of poems with color as the overall theme.

 

GLASS RAIN—the poetry by Margaret Roxby

“GYPSY DREAMS” was selected this week for upcoming Halloween when children dress up in costumes and thoughts of magic are in the air. Gypsies and fairies are recurrent themes in the author’s poems. She, herself, held a belief that in a former life she must have been a gypsy somewhere on the Iberian peninsula.

REFRACTIONS –a poem by Robert Roxby

“LAST LEAF” first appeared in the author’s 2000 poetry anthology, Reflections of a Lifetime. It is included for this month as Autumn leaves are falling.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“PETER PUMPKIN-EATER WAS CRUEL” was written when the author was writing a series of poems with color as the overall theme. As may be guessed, the author would not choose orange as a favorite color.

GLASS RAIN—the poetry by Margaret Roxby

“THREE STRAW LADIES” was written, according to the author’s daughter, sometime late in 1960. The daughter’s recollection is that the author woke from a troubling dream which is described in the poem. Searching for meaning, the author shared the dream because her daughter had demonstrated a knack for interpreting dreams. What the daughter did not tell her mother was that from her daughter’s perspective, Margaret was having an identity crises brought on by the ravages of menopause.

REFRACTIONS –a poem by Robert Roxby

“A DAY TO BE TRUANT” first appeared in the 2000 author’s poetry anthology, Reflections of a Lifetime. This is not the only poem the author wrote about being truant. After reading them, his daughter wondered just how many days of school he did attend and , given his penchant for being truant, how he managed to qualify for two scholarships (mathematics and chemistry) by the time he graduated high school. On this particular day in 1922, he was living in Harmarville, Pennsylvania.

THROUGH THE LOOKING GLASS—the poetry of Kathleen Roxby

“ALFALFA” appears this week to accompany “Three Straw Ladies.” though the poems have little in common but the product of nature they speak about. This poem was actually written in response to a writing prompt at a writer’s conference.