Not far from the streets of Santiago, Chile
Lies a long valley
Of serene pastoral beauty.
The miles there lull the mind
Into forgetfulness
Till the mountains’ wound
Is exposed in the summer light.
The heat of raw red earth
Radiates from peak
To valley floor.
The land is torn
As if by grate or rasp
Till the scraped away flesh
Lies in mounds
Like ground red spice
Poured onto the wide meadow land.
The mountains’ wound dwarfs
The road leading away
It seems merely a fine thread;
The machines that chew the land:
Mere flakes of mica
Tumbled amid the spillage
Of the harsh red, dry powder burn.
In an Idaho valley, U.S.,
Deep forest green appears blue gray
Through smoke filled air.
A rain-washed blue rings the mountains
Like the fringe of a Franciscan friar’s tonsure.
The air is thick with more
Than the factory spewed clouds.
It is like breathing fine stone
Or the dry dust of cinnamon,
Though the flavor is not so sweet.
For it is copper
That chokes the lungs
If you chance to take breath
In this deep valley.
And it is the milk of copper tailings
That spills opaque blue-green
Where the creek bed winds.
Amid the river rocks
The pale turquoise churns
Like liquid aged copper
Poured from a smelter’s pot
Into a pre-set form for sale.
Two continents, two countries,
Two valleys united a single cause:
Copper—turquoise poison
In Idaho waters
Copper—the red wound
In Santiago’s mountains.