Her bare arms clasped the tree,

Its rugged bark pressed sharply

Against her skin.

Deep in the forest,

Tree and girl were one.

No other voice but hers

Stirred the fragrant air.

She tightened her hold

The solid roughness a biting pain

But better than the pain within.

The tree absorbed her tears

Unmoved, unchanged.

Brief moments

Separate from all others

Lessons learned from mistakes.

Where understanding

Bursts into being from light

Filtering through

Trembling leaves in a wood,

Revealing a path at last.

 

That pause when a choice is demanded

But not welcome or easy.

 

A moment of joy—

That brief dance free of the weight

Of duty and survival

Shimmers like glitter in the sky

Of a snow globe,

Catching the light,

Twirling briefly as it drifts

Down to disappear

Into the flatness that hides

That wonder until

The globe is shaken once more.

Hold me

just

hold me

 

the way you hold

a child

who comes

to you crying

hoping to find

love

and loving

while learning

to accept the pain.

 

Hold me

that I may know

there is still

love

and loving.

Pink has no more heat

Than a single candle

On a birthday cake.

Pink is fragile

As a flower petal.

Hiding

behind a crusty guardian,

Pink is new skin.

Pink is a timid color

And speaks in a voice

Very like a whisper.

For a moment

In the mist

Almost a shape

A shadow

Undefined

Was it you

Remembering me?

In a gentler hour

Not needing to hide from light

I see truer colors

Some almost hurtful in

Their brilliance

And others whose shadings of subtlety

Are not visible

Behind tinted polarized glass.

 

Ah, dearest friend,

Though there are, gentle hours

When I see you

As clearly as you might wish

To be known,

It is also true

That these moments are too few

To permit a real friendship.

Your love of me is unique:

For you are my mother,

And needing you so to always be,

I most often see the woman that you are

In the shelter of a vision

Colored by your mother love

And polarized by the child in me.

An errant breeze

Whispered at the lake edge

Unseen by any

But the unforgiving moon

A single undulation

Barely a ripple

Moved outward across the lake

Then gently disappeared

Into the center of the lake’s depths

Leaving only stillness

On the tea shop shelf

A new tea to try

A tea, for once, not from Asia

Beside the sealed tin

A notice read “Limited Supply”

Naturally I accepted the challenge

And made my purchase

Before chance was gone.

 

Two cups later I knew

This was a great tea,

A special tea. I wanted more.

But already, there was none

Not then or even

Months later.

I saved the label,

Just in case, and

Searched the internet.

 

The tea came from

Fields in Africa

Ravaged by civil war.

This news brought

The sorrow of the tea’s land

Into my home

And would not let me forget.

 

It was indeed

A very special tea.

I walk into city streets

Which others do not see.

I play beneath Autumn leaves

smell the dust of the leaf death,

The mulch of a forest floor—

Yet few others follow me here.

 

I run with the circus parade,

Laugh with the clowns

And sing with the kalliope,

Though others near hear only

The whispers of their own breath.

 

I walk into the garret

Of desolation and despair,

Ride as with the wind

Through nights of rage.

I am slivered on the spear,

Severed upon a sword,

Gutted by all the weapons of war.

 

All this and more do I find

With Kandinsky and Klee,

Vincent and Pablo P.,

Chagall and Bracque,

Miro, Dali (and more)

 

Upon a quiet afternoon

At the Guggenheim.

There might have been

A few ashes in a dish

In a room filled with light

From another hot dry day

Miles and miles away

And the sound of a long dress

Brushing a highly polished floor

The distant echo of a horse’s hooves

Or the scream of a car’s tires

 

But the painter left no trace

Of that other story

Only an old wall of adobe or brick

Where time has eaten away

Bits of carefully layered paint,

A barred window revealing no interior

Only a darkness framed with stone

Stained in an upper corner,

Blackened, as if from fire

 

The only link to the room

With the dish of ashes

Is the shadow to one side of the window

Which might be a deadened vine

A growth of fungus

Or a fire’s ashes trapped

Against the weathered stone wall:

A shadow shaped like Africa

 

No, there is a clue

Though what it tells

Is left to the viewer

The painter named his work

“Drums in the Night”